LAMINATION: THE FINISHING TOUCH ON YOUR PRINTED GRAPHIC

Royal Sovereign 65" RSC6500H
Royal Sovereign 65″ RSC6500H

That participation certificate you earned 30 years ago for the 3rd Grade Talent Show is still hanging on your parents’ fridge. And, no offense to you personally, it’s probably aged a lot better than you have.

Thanks to the miracle of lamination.

Now you’re all grown up, running a successful printing business, and you’re looking to cement your legacy. You want your prints to be enjoyed in all their sharpness and shine for the next generation. You want to add ‘finishing’ to your suite of product offerings.

Lamination PRESERVES printed graphics, doubling their outdoor life, protecting them against fading caused by UV solar radiation, and erosion by the elements. Different overlaminates can also assist with color clarity and magnification, and even produce special effects, like add a metallic sheen. No one is arguing that lamination is a crucial component of your workflow, but bringing the equipment in-house can be a daunting and sobering thought.

First of all, there’s a few different styles. What’s the difference between cold lamination, heat assist cold lamination, and hot lamination, you wonder? And secondly, there’s the price. These are large sturdy hunks of machinery, which come in a crate, and require professional installation.

COLD LAMINATORS:

The most popular (and cheapest), these machines use rollers to apply pressure-sensitive films to your media as it’s being fed through. A must for vehicle wrap shops, who need lamination for any sort of durable long-term application, and who print on vinyl, which doesn’t react well to extremes of heat. Also good for printers with quick-drying inks like latex or aqueous, because these prints will be ready immediately for lamination, without the need of functionality provided by…

HEAT-ASSIST LAMINATORS:

These are a boon to printers who use solvent inks. Solvent inks permeate the surface of your media, leaving the pigment, and then evaporating as gas. This process can take 24 hours. If you wanted to cold laminate these prints, you’d have to wait until the ink was completely cured and dry, or risk air bubbles from outgassing, and a hazy effect particularly showing up on dark color backgrounds called ‘silvering’.

In these models, a heating element warms the top roller, accelerating the process of ink drying and outgassing, so that solvent prints can be processed with quicker turnaround (an hour or two vs. a day). Heat also helps to set the adhesive quicker.

HOT LAMINATORS:

These machines use special thermal films. Commonly used by schools, for high production, the equipment has a higher-start up cost, but you can achieve economies of scale with cheaper thermal laminate rolls. Not intended for certain heat-sensitive media, but excellent for applications like encapsulation and textured surfaces like UV prints.

Most laminators will laminate, encapsulate, and mount.

Laminating applies film to one side of a material; encapsulation applies to both sides with a border that must be trimmed; and mounting can be employed to press media onto a thicker substrate such as foamcore using a double-linered adhesive.

LAMINATION FILMS come in the same two classes as vinyl: calendered and cast. Calendered laminate is, similar to vinyl, more economical for short-term applications on flat surfaces. It has been stretched, and it has a memory so it will shrink back to its original dimensions over time. Cast overlaminate is more conformable around contours and will retain its shape for long-term use and protection.

Come with me, if you want to be preserved.
Come with me, if you want to be preserved.

“NEVER USE calendered laminate with cast vinyl. As it shrinks it will pull the vinyl with it,” said a wise llama one time, on the cusp of englightenment.

The type of laminate you will want to use is completely dependent upon the application. Oraguard 200 and Oraguard 215 at the lower end of the quality spectrum represent economy choices for protection of short-term promotional and indoor signage applications for 1 year, up to 5 year protection of outdoor signage. Oracal 290, a premium cast laminating film, is conformable and durable enough to protect vehicle wraps from the abuse of road and weather conditions for 8 years! Oraguard 250AS and 255AS even protect floor graphics from the wear and tear of foot traffic while providing an anti-slip surface (excellent for trade shows). Overlaminates also come in a range of finishes, same as vinyl, so be careful not to negate a gloss vinyl with a matte laminate.

As you can see, there are a range of things to consider when choosing a laminator. Also know, that USCutter has financing options available for this major capital equipment purchase.

Siser_Electric2

Siser Electric Now Available by the Foot!

Siser EasyWeed Electric Vinyl from USCutter on Vimeo.

If you do heat vinyl for garments, and you haven’t shared Siser Electric with your customers yet, this is a great opportunity!

The material is now available for the first time by the foot from USCutter and you can use this new video to show your customers how good the finished product looks on a garment.

New Airbrush Artist bundle: How a phone conversation with an enthusiastic artist became a new product package now available from USCutter.

A lot of  USCutter customers knew Ben Freeman, our helpful, friendly and smart as a whip tech support good guy that has been helping customers at our tech support desk for years now. Ben is the kind of guy every company loves to have onboard. He really listens to customers and seeks to understand their issues when they call for help and his answers always provide a generous mix of insight and plain language explanation that callers always appreciate.

Most calls Ben receives are fairly standard questions centered on equipment choices and vinyl selections, but on occasion, a user will give Ben a call with something unique. One such customer was Bryan Sande of Fresno-based Reaper Grafx, a custom pinstripe and airbrush artist, whose interest wasn’t really in cutting and placing vinyl at all. He was looking for a way to use a cutter to create his own reusable stencils.

Ben being Ben, he quickly recognized that that was a community of customization and personalization professionals that USCutter should probably work to serve – and he started listening even more. He didn’t have any instant answers, but he formed a working relationship with Bryan, and in doing so came to learn that Bryan is not just a really talented professional in his field, but an innovator and teacher of sorts. Bryan’s Reaper Grafx Fan Facebook page has become a community gathering place for aspiring airbrush artists and those that seek him out are rewarded for their efforts with a wealth of friendly advice, in-depth training info on how to create certain effects, and very valuable recommendations on which products are best available for specific airbrush applications.

Long story short, Ben worked with Bryan and tapped into his expertise to develop the new USCutter Airbrush Painters Stencil Creation Kit, which bundles together carefully selected stencil materials, tapes and other materials into one all complete turnkey kit that enables airbrush artists to quickly design and create their own re-usable stencils and more. It took some testing and Bryan was incredibly generous with his time and expertise in testing equipment and materials.

With this new kit, artists will be able to cut intricate designs into paint mask, cut adhesive vinyl for custom decals and stickers and generally speed up production and make the job of weeding and applying masking material faster and easier. Bryan also made sure that there were things like a pen holder so that airbrushers can easily check their designs on paper before committing to a cut on their materials, and selected just the right transfer materials to make sure that adhesive and other chemicals in the chemicals don’t make their way into the paint on vehicles or other target substrates.

To Bryan, this is just another way of sharing his love for what he does with others, but to thousands of aspiring Airbrush artists out there, this is a savings of time, materials and trial and error to get the right combination of machinery and materials to create quality customization work better and faster. If you do custom airbrush work now, or if you are one of the many vehicle wrap professionals that buys materials from USCutter, we encourage you to pay a visit to Bryan’s pages and perhaps join in his community, and if you want to get started using vinyl cutters to create your stencils, check out the Airbrush Painters Stencil Creation kit on the USCutter website.